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A splatter film is a subgenre of horror film that deliberately focuses on graphic portrayals of gore and graphic violence. These films, usually through the use of special effects , display a fascination with the vulnerability of the human body and the theatricality of its mutilation. The term "splatter cinema" was coined by George A. Romero to describe his film Dawn of the Dead , though Dawn of the Dead is generally considered by critics to have higher aspirations, such as social commentary, than to be simply exploitative for its own sake. During the late 20 th and early 21 st centuries, the use of graphic violence in cinema has been labeled " torture porn " or " gorno " a portmanteau of "gore" and "porno". Splatter films, according to film critic Michael Arnzen , "self-consciously revel in the special effects of gore as an artform.

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Pornogrind also known as porngrind or pornogore is a musical microgenre offshoot of goregrind [1] [2] that lyrically deals with sexual and pornographic themes, hence the name. The genre is related to, and similar to, goregrind , but minor differences from goregrind include pornogrind having simpler, slower, and more rock-like songs [2] as well as the genre's pornographic theme present in lyrics and album artwork, which "would keep them out of most stores. Think samples from porno movies, lyrics about sexual violence and gross-out album art. Notable bands of the genre include Gut and Cock and Ball Torture. The genre saw mainstream media attention after the Dayton shooting when it came to light that the perpetrator, Connor Betts, performed live vocals in the pornogrind group Menstrual Munchies on multiple occasions.